Informace o projektu
Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE
(CRAACE)
- Kód projektu
- 786314
- Období řešení
- 4/2019 - 2/2024
- Investor / Programový rámec / typ projektu
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Evropská unie
- Horizon 2020
- ERC (Excellent Science)
- Fakulta / Pracoviště MU
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Filozofická fakulta
- Matthew Rampley, B.A., Ph.D.
- Mgr. Marta Filipová, Ph.D.
- Julia Secklehner, M.Phil., Ph.D.
- Nóra Veszprémi, Ph.D.
When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In
1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for
the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria,
Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture
between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states
to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg
society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe
adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long
shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual
arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for
legitimation? How did artists and architects respond to such new impulses? In answering these questions the project
analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in
interwar memory politics; the place of art in the nexus of religion, national and state identity.
Cíle udržitelného rozvoje
Masarykova univerzita se hlásí k cílům udržitelného rozvoje OSN, jejichž záměrem je do roku 2030 zlepšit podmínky a kvalitu života na naší planetě.
Publikace
Počet publikací: 187
2021
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Regionalism, Nationalism, State Representation: Homeland Photography in Austria and Czechoslovakia
Rok: 2021, druh: Další prezentace na konferencích
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Rural Realism: Social Documentary Photography Against Nationalism in Interwar Central Europe
Rok: 2021, druh: Další prezentace na konferencích
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Selling blackness in modern central European art
Rok: 2021, druh: Další prezentace na konferencích
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Simple Entertainment? Die Muskete and ‘Weak’ Antisemitism in Interwar Vienna
Visual Antisemitism in Central Europe, rok: 2021, počet stran: 22 s.
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Small-scale Diplomacy? The Hagenbund and Mánes Artist Associations as Infrastructures of Central European Exchange
Rok: 2021, druh: Další prezentace na konferencích
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Social realisms, new aesthetics: engaged photography in interwar Central Europe
Rok: 2021, druh: Další prezentace na konferencích
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Staging the ideal village: rural architecture at exhibitions in Central Europe, 1891 – 1928
Rok: 2021, druh: Další prezentace na konferencích
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State Propaganda and Gender Representation. Border Conflicts of the First World War and Their Artistic Aftermath in Central Europe
Rok: 2021, druh: Další prezentace na konferencích
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The Gothic cathedral is more of a construction record than an expression of religious fervour” (Karel Teige). Debates about modernism and church architecture in the 1920s and 1930s.
Rok: 2021, druh: Další prezentace na konferencích
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The Key to Red Vienna: Book review
Rok: 2021, druh: Recenze