Informace o publikaci
The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art
| Autoři | |
|---|---|
| Rok publikování | 2024 |
| Druh | Článek ve sborníku |
| Konference | DEFINING THE ARCHITECTURAL SPACE ARCHITECTURE AND TECHNOLOGY, vol. 2 |
| Fakulta / Pracoviště MU | |
| Citace | |
| www | |
| Doi | http://dx.doi.org/10.23817/2024.defarch.2-9 |
| Klíčová slova | national identity; external influences; architecture; temple complex; Dunhuang |
| Popis | In the Dunhuang mural painting, the development of the figurative concept took place from the direct borrowing of the Indian Buddhist figurative concept at an early stage to the gradual appearance of local layering and other external borrowings (such as the concepts of Tibetan Buddhism during the reign of the foreign dynasties Xi Xia and Yuan), resulting in the canonical mural painting gradually moving away from the Indian canons of Buddhist frescoes, elements of local Taoism and mythological subjects appeared in it. These processes took place against the background of the general development of Dunhuang mural painting from greater primitivism, direct borrowing of ancient Indian fresco techniques and symbolism to the improvement and complication of images and fresco execution techniques, from convention to realism, from the addition of religious and mythological subjects with portraits of founders, historical scenes and landscapes. The local painting techniques of the Central Plains of China had a strong influence. |