doc. Mgr. Pavel Skopal, Ph.D.
Department head, Department of Film Studies and Audiovisual Culture
Correspondence Address:
Arna Nováka 1/1, 602 00 Brno
Office: bldg. C/C.316
Arna Nováka 1
602 00 Brno
Phone: | +420 549 49 6996 |
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E‑mail: |
social and academic networks: |
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Total number of publications: 156
2012
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Svoboda pod dohledem. Zahájení koprodukčního modelu výroby v kinematografiích socialistických zemí na příkladu Barrandova (1954 až 1960)
Naplánovaná kinematografie : český filmový průmysl 1945 až 1960, edition: Vyd. 1., year: 2012, number of pages: 47 s.
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The spots of (dis)harmony “Conference of cinema industry workers of the socialist countries”, 1957-1960 – control and coordination of cinema industries in the Soviet bloc
Year: 2012, type: Conference abstract
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The Spots of (Dis)Harmony. The Case of the “Conference of Cinema Industry Workers of the Socialist Countries”, 1957-1960
Year: 2012, type:
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Úvod : plány, změny a kontinuity
Naplánovaná kinematografie : český filmový průmysl 1945 až 1960, edition: Vyd. 1., year: 2012, number of pages: 16 s.
2011
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“It is not enough we have lost the war – now we have to watch it!” Cinemagoers´ attitudes in the Soviet occupation zone of Germany (a case study from Leipzig)
Year: 2011, type: Appeared in Conference without Proceedings
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“It is not enough we have lost the war – now we have to watch it!” Cinemagoers’ attitudes in the Soviet occupation zone of Germany (a case study from Leipzig)
Participations. Journal of Audience and Reception Studies, year: 2011, volume: roč. 8, edition: č. 2
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Na tenkém ledě koprodukční spolupráce Srovnání žánrové produkce studií Barrandov a DEFA v polovině 60. let na příkladu snímku STRAŠNÁ ŽENA (1965)
Iluminace. Časopis pro teorii, historii a estetiku filmu, year: 2011, volume: roč. 23, edition: č. 3
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The Cinematic Shapes of the Socialist Modernity Program: Ideological and Economic Parameters of Cinema Distribution in the Czech Lands, 1948-1970
Cinema, Audiences and Modernity. New Perspectives on European Cinema History, year: 2011
2010
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„Sovietization“ of the post-war national film cultures in the Eastern Bloc countries? Trans/nationally defined quotas of distribution, exhibition and attendance in Czechoslovakia and GDR and their role in the local film culture, 1945-1970
Year: 2010, type: Appeared in Conference without Proceedings
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Kings, Indians, Swordsmen, Acrobats and Skaters The audiences´ preferences and the “culture of shortage” in the Socialist Era: the case of Czechoslovakia, 1948-1970
Year: 2010, type: Appeared in Conference without Proceedings