Project information
Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE
(CRAACE)
- Project Identification
- 786314
- Project Period
- 4/2019 - 2/2024
- Investor / Pogramme / Project type
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European Union
- Horizon 2020
- ERC (Excellent Science)
- MU Faculty or unit
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Faculty of Arts
- Matthew Rampley, B.A., Ph.D.
- Mgr. Marta Filipová, Ph.D.
- Julia Secklehner, M.Phil., Ph.D.
- Nóra Veszprémi, Ph.D.
When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In
1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for
the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria,
Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture
between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states
to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg
society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe
adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long
shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual
arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for
legitimation? How did artists and architects respond to such new impulses? In answering these questions the project
analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in
interwar memory politics; the place of art in the nexus of religion, national and state identity.
Sustainable Development Goals
Masaryk University is committed to the UN Sustainable Development Goals, which aim to improve the conditions and quality of life on our planet by 2030.
Publications
Total number of publications: 187
2023
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Sites of Memory and Forgetting: Gyula Derkovits’s Woodcuts of the 1514 Peasant War
OXFORD ART JOURNAL, year: 2023, volume: 46, edition: 3, DOI
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Social Realisms, New Aesthetics : Women Photographers’ Engaged Photography in Interwar Central Europe
Was Socialist Realism Global? Modernism, Soc-modernism, Socially Engaged Figuration, year: 2023, number of pages: 18 s.
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The Art History Congress in 1873: Significance and Consequences
Year: 2023, type: Appeared in Conference without Proceedings
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Unfinished Empire? Visual Arts and Architecture in Post-Imperial Contexts, 1900–2022
Year: 2023, type: Conference
2022
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‘Highly Civilized, yet Very Simple’ : Images of the Czechoslovak State and Nation at Interwar World’s Fairs
Nationalities Papers, year: 2022, volume: 50, edition: 1, DOI
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ARTWORK OF THE MONTH, AUGUST 2022: THE AMERICAN HOUSE BY BERTY AND FANUŠKA ŽENATÝ (1928)
Year: 2022, type: Popularization text
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ARTWORK OF THE MONTH, DECEMBER 2022: BUNDT-CAKE MADONNA BY MARGIT KOVÁCS (1938)
Year: 2022, type: Popularization text
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ARTWORK OF THE MONTH, FEBRUARY 2022: THE HOUSE OF JAKUB DEML BY BOHUSLAV FUCHS (1921–22)
Year: 2022, type: Popularization text
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ARTWORK OF THE MONTH, JANUARY 2022: MORPHINE ADDICT BY JÁNOS VASZARY (1930)
Year: 2022, type: Popularization text
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ARTWORK OF THE MONTH, JULY 2022: HEAD BY VALLY WIESELTHIER (1928)
Year: 2022, type: Popularization text