Publication details
Venice in Brno: From Byzantium to Giotto and from Venturi to Kondakov
| Authors | |
|---|---|
| Year of publication | 2022 |
| MU Faculty or unit | |
| Citation | |
| Description | The purpose of this lecture was to reflect on the way the same historical moment-the emergence of Tuscan painting in Venice-could be interpreted diametrically opposite when presented, in 1900, by Italian or Russian scholars. |
| Related projects: |