Publication details

Renesanční epitaf jako médium konfesijní identity v prostředí předbělohorské Chrudimi. Památník Tomáše Lvíka Domažlického (1616) a Salomeny Francové z Liblic (1619) jako historicko-antropologický pramen

Title in English Renaissance epitaph as medium of confessional identity in the Chrudim before 1620. Monument of Tomáš Lvík Domažlický (1616) a Salomena Francová z Liblic (1619) as soutrce of historical-anthropology
Authors

JAKUBEC Ondřej

Year of publication 2008
Type Article in Periodical
Magazine / Source Theatrum historiae 3. Sborník prací Katedry historických věd Fakulty filozofické Univerzity Pardubice
MU Faculty or unit

Faculty of Arts

Citation
Field Art, architecture, cultural heritage
Keywords Chrudim; epitaphs; Matouš Radouš; renaissance painting; confession; confessional identity; visual media; commemoration
Description The article focuses on an epitaph of one Chrudim citizen before 1620 - a work of Matouš Radouš, a painter of the town Chrudim. The study suggests taht epitaphs should be interpreted not only as works of art but due to their specific iconography tehy can also serve as special historical-anthropological sources informinag us about confessional identity of commissioners.

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